valentineday2010

Madea’s Family Reunion (Full Screen Edition) Review

I love the movie. Good news out about how we should treat each other with respect and love, and not merely material things and money taken, because with the money and power does not make you a man. Judge people only on the surface and the interior is not only bad performance. I love Tyler presented the message that no matter what negative and sad things that can happen to us, ex. (Vanessa and adopted children) the situation, we can still win and hope and true lovein the future. The key is to never give up on life and a good, positive people who love and that goes from the heart. The music is great and fits, what a family should have. Recommend this film. Once again, Love Made. Shes teaching in the face of adversity, to stand up and fight for themselves and do not let yourself be controlled like a rag doll down. Two thumbs up!

Madea’s Family Reunion (Full Screen Edition) Overview

WHILE PLANNING HER FAMILY REUNION, A PISTOL-PACKING GRANDMA MUST CONTED WITH THE OTHER DRAMAS ON HER PLATE, INCLUDING THE RUNAWAY WHO HAS BEEN PLACED IN HER CARE, & HER LOVE-TROUBLEDNIECES.

Madea’s Family Reunion (Full Screen Edition) Specifications

Tyler Perry, impresario of the gospel theater circuit, brings his gun-toting granny-drag persona Madea back to the big screen in Madea’s Family Reunion, a sequel to the surprise hit Diary of a Mad Black Woman. In addition to being saddled with an unruly foster teen (Keke Palmer, The Wool Cap), Madea has two troubled nieces: Lisa (Rochelle Aytes, White Chicks), who’s engaged to an abusive and controlling investment banker (Blair Underwood, Something New); and Vanessa (Lisa Arrindell Anderson, The Second Chance), who can’t open herself to the affection of a bus driver/artist (Boris Kodjoe, The Gospel) because of childhood abuse. Wreaking havoc on both of their lives is their mother Victoria (Lynn Whitfield, Eve’s Bayou, in delirious wicked witch mode). Like Madea’s previous outing, Madea’s Family Reunion may induce mental whiplash–the movie zips from a discussion of flatulence to a jazz-backed poetry reading to domestic violence (Underwood, perhaps eager to leave his bland good-guy image behind, is genuinely scary), or from an act of horrific revenge to a staggeringly gaudy wedding. Though schizophrenic and morally questionable (beating an adult women is clearly wrong, but whipping a child with a belt in the name of tough love is apparently good), the movie is definitely unpredictable and never dull. Also featuring Cicely Tyson (Because of Winn-Dixie) and the poet Maya Angelou. –Bret Fetzer

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